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A core part of our mission is to "create outstanding educational opportunities." Each spring, we invite fourth graders from all over Central Iowa to hear the Orchestra perform at the Civic Center in four special performances over the course of two days.
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Max Bruch was among the most respected German composers, conductors and teachers of his generation, and it was the masterful G Minor Violin Concerto of 1866 that established his reputation. “It is not easy to write as beautifully as Max Bruch,” assessed English musicologist Sir Donald Tovey.
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The COVID-19 pandemic left no one unaffected in personal or work life, which meant that the essential creative interchange between performing artists and with their audiences abruptly stopped in March 2020. Alone Together by Emmy Award-winner John Wineglass, premiered via livestream online by Carl St. Clair and the Pacific Symphony in May 2021, helped to bridge from that isolated time to the return of the full, in-person communal sharing of music that was yet another casualty of COVID-19.
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In Des Moines, we are fortunate to have Joseph Giunta as our resident Music Director and Conductor. So why, you may ask, do we from time to time bring in a guest conductor? We took that question to Concertmaster Jonathan Sturm, who expertly answers below.
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The Des Moines Symphony's inaugural Fred & Charlotte Hubbell Visiting Artist in Residence Program took place in early February 2023. This new initiative aims to bring outstanding national and international musicians to Des Moines to work directly with area students year after year.
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Though the Violin Concerto of Peter Ilyich Tchaikovsky is today one of the most frequently performed in the orchestral repertory, it took the composer three years to find a soloist willing to play it. Neither the orchestra or the audience cared much for the piece when it was finally premiered in Vienna in December 1881, but Adolf Brodsky, the soloist at that performance, continued to champion it until other violinists came to recognize that a new masterwork had been added to their repertory.
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During the early days of the COVID-19 pandemic when information was sparse, treatments were improvisatory, vaccines a distant vision, and with cases soaring, medical workers everywhere were performing courageous and selfless acts of care despite the serious risks. People around the world thanked them with cheers and music as they changed shifts, a popular acclimation that American composer Valerie Coleman celebrated in her Seven O’Clock Shout.
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Read about the music and composers featured in Masterworks 4: Mahler 5 on February 4 & 5, 2023. Program notes by Dr. Richard E. Rodda.
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The Fred & Charlotte Hubbell Visiting Artist in Residence Program brings outstanding national and international musicians to Des Moines for an annual residency. Read about our first Artist in Residence, Kevin Zhu.
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This weekend, the Des Moines Symphony performs Gustav Holst's The Planets. Read our program notes to learn more about the piece.
Recent Articles
- Des Moines Symphony Academy Wraps Up 2022-2023 Season 05/09/2023 In Academy News
- Program Notes: Rachmaninoff Piano Concerto No. 2 & Symphony No. 2 05/07/2023 In Symphony News
- Music for Mother's Day 05/06/2023 In Symphony News
- Program Notes: Anna Clyne This Midnight Hour 05/04/2023 In Symphony News
- Program Notes: Jacques Offenbach Music from Gaite Parisienne 04/17/2023 In Symphony News