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The frivolity and tunefulness of the Parisian music hall of Jacques Offenbach is revived in Manuel Rosenthal’s arrangement of his music for the 1938 ballet Gaîté Parisienne.
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Discover the World of Music during the Symphony's 2023-2024 season! Subscribers at all price levels receive the absolute best discounts available. Lock in your favorite seats for the Masterworks Series, the Pops Series...or both! Click here to learn more.
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D’un Matin de Printemps of the short-lived Lili Boulanger, gifted younger sister of legendary composition teacher Nadia, is imbued with the aura and sonorities of French Impressionism.
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Camille Saint-Saëns’ Cello Concerto No. 1 is among his compositions that adapt the traditional Classical genres of symphony, concerto and quartet to the sensibilities of Second Empire Paris.
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Hector Berlioz was a pioneer in developing the orchestra of the late 18th century into the virtuoso ensemble of the Romantic age in such works as the glittering Roman Carnival Overture.
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Peter Ilyich Tchaikovsky conducted the premiere of his “Pathétique” Symphony in St. Petersburg on October 28, 1893, just a week before he died. Despite that chronology and the tragic nature of much of the Symphony, Tchaikovsky did not anticipate his own death in this music, but meant it to mirror the residual melancholy of his later years.
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A core part of our mission is to "create outstanding educational opportunities." Each spring, we invite fourth graders from all over Central Iowa to hear the Orchestra perform at the Civic Center in four special performances over the course of two days.
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Max Bruch was among the most respected German composers, conductors and teachers of his generation, and it was the masterful G Minor Violin Concerto of 1866 that established his reputation. “It is not easy to write as beautifully as Max Bruch,” assessed English musicologist Sir Donald Tovey.
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The Des Moines Symphony's inaugural Fred & Charlotte Hubbell Visiting Artist in Residence Program took place in early February 2023. This new initiative aims to bring outstanding national and international musicians to Des Moines to work directly with area students year after year.
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Though the Violin Concerto of Peter Ilyich Tchaikovsky is today one of the most frequently performed in the orchestral repertory, it took the composer three years to find a soloist willing to play it. Neither the orchestra or the audience cared much for the piece when it was finally premiered in Vienna in December 1881, but Adolf Brodsky, the soloist at that performance, continued to champion it until other violinists came to recognize that a new masterwork had been added to their repertory.
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