-
We can't wait for our eleventh annual Oh Say, Can You Sing? competition!
-
Each week, the Des Moines Symphony Academy hosts nearly 400 young musicians at the Temple for Performing Arts. Take a peek at what they've been up to during 2022-2023, a year full of wonderful performances and incredible opportunities for students!
-
The Piano Concerto No. 2 and Symphony No. 2 bracket the rise of Sergei Rachmaninoff’s career between 1901 and 1906 from the 27-year-old composer of a failed symphony to one of Russia’s most celebrated and sought-after composers, pianists and conductors.
-
London-born Anna Clyne is one of the most gifted and accomplished of the current generation of young composers who are not only reinvigorating the orchestral repertory with such works as This Midnight Hour, but also expanding the reach of classical music in communities nationwide through their dedicated involvement with underserved audiences from schools to juvenile detention centers and memory care units.
-
The frivolity and tunefulness of the Parisian music hall of Jacques Offenbach is revived in Manuel Rosenthal’s arrangement of his music for the 1938 ballet Gaîté Parisienne.
-
Discover the World of Music during the Symphony's 2023-2024 season! Subscribers at all price levels receive the absolute best discounts available. Lock in your favorite seats for the Masterworks Series, the Pops Series...or both! Click here to learn more.
-
D’un Matin de Printemps of the short-lived Lili Boulanger, gifted younger sister of legendary composition teacher Nadia, is imbued with the aura and sonorities of French Impressionism.
-
Camille Saint-Saëns’ Cello Concerto No. 1 is among his compositions that adapt the traditional Classical genres of symphony, concerto and quartet to the sensibilities of Second Empire Paris.
-
Hector Berlioz was a pioneer in developing the orchestra of the late 18th century into the virtuoso ensemble of the Romantic age in such works as the glittering Roman Carnival Overture.
-
Peter Ilyich Tchaikovsky conducted the premiere of his “Pathétique” Symphony in St. Petersburg on October 28, 1893, just a week before he died. Despite that chronology and the tragic nature of much of the Symphony, Tchaikovsky did not anticipate his own death in this music, but meant it to mirror the residual melancholy of his later years.
Recent Articles
- Season Debut: Triumph – Tchaikovsky 5 Program Notes 09/09/2025 In Symphony News
- Season Debut: Meet Eighth Blackbird 09/03/2025 In Symphony News
- Thank You to Harriet S. & J. Locke Macomber 09/01/2025 In Symphony News
- 2025 WWP Food Vendors 08/30/2025 In Symphony News
- Youth Symphony Conductor Candidates 08/18/2025 In Academy News